I played a show saturday night and it was the first time I ever played cello live and the sound guy miked me but i couldn't be heard over the other instruments. I have another show on Thursday - any suggestions? When choosing cello microphones, you should consider your budget, the best microphones for recording cellos and the best microphone for the recording environment. Low strings are somewhat exaggerated due to proximity effect, and it requires a good preamp due to low output. The C5300 is designed for studio and live productions and delivers a natural and open sound, an extreme accuracy and fast transient response that captures the finest and most delicate overtones of the instrument.. High definition condenser microphone with superior feedback suppression and high isolation of nearby instruments. ;) I think getting the cello away from the kit (even though that means closer to the speakers) might be the way to go. Get the mic as close as possible and at rehearsal push your mains up and then try to EQ out the feedback. Micing a string instrument on a live stage with drums has its challenges. When using one mic, most studio engineers will recommend a Large Diaphragm Condenser microphone to capture the best quality. The type of microphone that will generally sound good on any violin, viola, or cello in a home or studio recording is a condenser microphone. And in the last two months I have done sound for a local band with two acoustic guitars, electric bass, fiddle and cello at a couple of different concerts. Mics that I would use live: Beyer M160 (hypercardioid, ribbon) This has been my default live stage mic for years, and it still works. I have read details on web sites on how to mic a cello but I would like to hear some first hand experience. What I found is with the Martin guitars, they get boomy and interfere with the top end of the cello. When money is no object, the best choice for a cello mic setup in a high-end studio includes a combination of cardioid condensers and directional dynamic microphones to accurately record the fine properties of cello sound. Beyer M130 (figure-eight ribbon) Much less bottom. The Omni Directional has an extremely flat response across the frequency range which makes it an ideal type of mic to record a Cello with. All 16 cello's were mic'd with SM57's. Violin, fiddle, and viola: These all sound great with a mic placed 1 to 2 feet above and behind the instrument and facing down at the instrument’s body. C5300 Microphone for Cello/Violone. 1 Mic Cello Technique. Cello and double bass: For these instruments, place the mic several feet away from the instrument (between 4 and 8 feet) and point it toward the f-hole in the instrument.This allows you to capture the sound of the entire instrument.